Julie Mehretu Ethiopian-American, b. 1970

Featuring paintings, works on paper, sculpture, film, and archival ephemera from the SFMOMA Library, and SFAI archive, this ambitious exhibition showcases museum-quality works by contemporary and historical artists, illustrating Berggruen...

Berggruen Gallery is proud to present Abstract Perspectives, a group exhibition that highlights underrepresented voices in the world of contemporary abstract art. Abstract Perspectives will be on view from January 11th through February 29th, 2024. The gallery will host an opening reception on Thursday, January 11th from 5:00 to 7:00 pm. This curated collection furthers abstract artwork as a vital means of expression and social commentary beyond representational or stylized subject matter. While the artworks vary widely in size, media, and style, the entire show celebrates abstract art as a resistant break from convention, continually stretching the boundaries of visual language and aesthetics.

The exhibition will feature work by the following artists:

Diana al-Hadid
Tauba Auerbach
Radcliffe Bailey
Sarah Blaustein
Cecily Brown
Sarah Crowner
Heather Day
Clare Kirkconnell
Anna Kunz
Liza Lou
Julie Mehretu
Beatriz Milhazes
Odili Donald Odita

Abstract Perspectives, January 11 – February 29, 2024. On view at 10 Hawthorne Street, San Francisco, CA 94105. Images and previews are available upon request. For all inquiries, please contact the gallery by phone at (415) 781-4629 or by email at info@berggruen.com.

Berggruen Gallery is proud to announce Serial Imagery: Portfolios & Prints in Sets, an exhibition of etchings and intaglios, pochoirs, lithographs, screenprints, and woodblock prints. Serial Imagery: Portfolios & Prints in Sets will be on view from June 15 through July 22, 2023. The gallery will host an opening reception on Thursday, June 15, from 5:00 to 7:00 pm.

Throughout history, artists have created work in series, producing collections of images, repetitive forms, and cohesive graphic languages. In the last century, the practice of creating serial prints witnessed an extraordinary surge as visionaries from the conceptual and pop art movements embraced the sequential format, propelling it to newfound prominence and cultural relevancy. This exhibition will explore the compelling methodologies in which artists employ printmaking techniques to communicate unconventional concepts and push the boundaries of their chosen medium. Whether it involves utilizing multiple prints to convey a progressive narrative or extending the subject across multiple sheets, this presentation delves into the possibilities of sequential printmaking.

The artworks showcased in Serial Imagery: Portfolios & Prints in Sets were created with a diverse range of techniques and hybrid processes, including pochoir, etching and intaglio, lithography, screenprinting, and woodcut. The exhibition is grounded by the complete sets of Henri Matisse’s groundbreaking Jazz from 1947, a portfolio of twenty colorful pochoirs from the artist’s cut-out series, and Wayne Thiebaud’s canonical Delights from 1964, a suite of seventeen intimate etchings of confections and foods. Serial Imagery presents an array of contemporary approaches to serial production, demonstrating how seminal artists engaged and experimented with the tradition of printmaking. It includes works by:

Nina Chanel Abney
Brice Marden
Odili Donald Odita
Polly Apfelbaum
Henri Matisse
Kiki Smith
John Baldessari
Julie Mehretu
Wayne Thiebaud
Charles Gaines
Robert Motherwell
Ellsworth Kelly
Terry Winters

Artist Nina Chanel Abney's CREW displays sentimental portraits of friends and fellow creatives, employing bold shapes and vibrant hues to create iconic images that celebrate the significance of collective support. In Heart and Soul, a portfolio of nine woodblock prints, Polly Apfelbaum ventures beyond her customary use of primary and secondary colors, delving into freshly imagined color combinations to create modernist heart-shaped design patterns. In Eight Soups, John Baldessari utilizes serial repetition to play with the iconic imagery of Henri Matisse’s 1912 painting, Goldfish and Sculpture, together with a nod to Andy Warhol’s ubiquitous soup can series, creating a vibrant series of eight screenprints. Serial Imagery presents a diverse range of contemporary approaches to serial print production. Whether the focus is experimenting with shifting chromatic pairings, expanding upon a conceptual narrative, or subverting historical iconography, these portfolio and print sets denote an interest in transcending disciplinary boundaries imposed by the notion of singularity.

Additionally, the exhibition celebrates the important contribution of fine printing presses and publishers in the process of creating and distributing serial prints. Each of these presses played a critical role in the serialization of the artist’s vision, from planning to execution. Prints in the exhibition were created at Crown Point Press, San Francisco; Durham Press, Durham, PA; Gemini G.E.L., Los Angeles; Paulson Fontaine Press, Berkeley; and Tériade, Paris; among others.

Serial Imagery: Portfolios & Prints in Sets, June 15 – July 22, 2023. On view at 10 Hawthorne Street, San Francisco, CA 94105. Images and preview are available upon request. For all inquiries, please contact the gallery by phone at (415) 781-4629 or by email at info@berggruen.com.

I am honored to present this exhibition, Her Voice, in honor of my late wife, Gretchen Berggruen. Co-owner of Berggruen Gallery, Gretchen was the heart and soul of the gallery. This group show features more than thirty artists, all of whom Gretchen championed, worked closely alongside, and deeply admired. This exhibition reflects Gretchen’s vision and her great passion in life. Those who had the pleasure to have known her know the deep level of care and attention with which she always acted. Her expertise, drive, kindness, patience, and perseverance drove the gallery to be what it is today. Gretchen was my partner and our leader, and I am proud to present Her Voice, celebrating her life and all that she built. – John Berggruen

Featuring artworks by the following artists:

Diana Al-Hadid | John Alexander | Jennifer Bartlett | Cecily Brown | Christopher Brown | Squeak Carnwath | Bruce Cohen | Roseline Delisle | Mark di Suvero | Richard Diebenkorn | Austin Eddy | Helen Frankenthaler | Jane Hammond | Stephen Hannock | Shara Hughes | William Kentridge | Clare Kirkconnell | Julian Lethbridge | Alicia McCarthy | Tom McKinley | Julie Mehretu | Elizabeth Murray | Tom Otterness | Martin Puryear | Linda Ridgway | Joel Shapiro | Judith Shea | Kiki Smith | Mark Tansey | Wayne Thiebaud | Fiona Waterstreet

We are pleased to present Contemporary Women Artists, an exhibition of paintings, sculptures, and works on paper by eight of the most exciting female artists creating work today, including Tauba Auerbach, Carmen Herrera, Clare Kirkconnell, Suzanne McClelland, Julie Mehretu, Beatriz Milhazes, Linda Ridgway, and Kiki Smith. This show will be on view through October 9, 2020.

Contemporary Women Artists presents a compelling selection of works by women artists who have each pioneered facets of the contemporary art canon. While Milhazes fuses cultural elements from her native Brazil with influence from European Modernist painters, Mehretu completely reenergizes and renews 21st century Abstraction. Altogether, the works composing Contemporary Women Artists are intricate yet bold; delicate yet powerful.

Spanning an intriguing breadth of subject matter, Contemporary Women Artists showcases works that both allude to and subvert mainstream ideas of femininity. Kirkconnell, Ridgway, and Smith consider the natural world in their alluring renderings while Auerbach and Herrera compose works of rigid geometries. When viewed altogether, power between delicacy and boldness is shared. The viewer can appreciate how strength radiates from seemingly fragile, natural forms while a certain subtlety can be found in the linear components of abstract works.

Contemporary Women Artists, September 3 – October 9, 2020. On view at 10 Hawthorne Street, San Francisco, CA 94105. Images and preview are available upon request. For all inquiries, please contact the gallery by phone (415) 781-4629 or by email info@berggruen.com.

John Berggruen Gallery is delighted to present an exhibition of paintings and works on paper by acclaimed New York-based artist Julie Mehretu.

The works on display in this exhibition demonstrate Mehretu’s commitment to producing abstracted geographies materialized as richly layered artworks that invite inspection and inquiry. Mehretu draws inspiration from a wide body of sources ranging from architectural imagery and maps to street art and comic books. She transforms familiar signs and symbols from these sources into large-scale complexes of line, color, and form that fluently convey the velocity and dynamism of the modern condition. The compositional elements in her works seem to occupy three dimensions, advancing and receding within the confines of the frame so that the works are imbued with a distinct energy born of tension. Explosions are a common motif found throughout her oeuvre. Infused with the traces of a profoundly personal narrative spanning three continents, the works communicate not only the artist’s interest in place, space, and time, but also subtly put forth her own reading and response to the intangible forces which shape the built and unbuilt environment, including power dynamics, political principles, and (global and local) histories.

Mehretu was born in Addis Ababa, Ethiopia in 1970. She grew up in Michigan, and attended the University Cheikh Anta Diop in Dakar and Kalamazoo College, obtaining her bachelor’s degree from the latter in 1992. Mehretu then went on to earn her MFA from the Rhode Island School of Design in 1997. Since then, she has been living and working primarily in New York (with periodic stints at her second studio in Berlin). She is the recipient of numerous awards, including the Whitney’s American Art Award, a MacArthur Foundation Fellowship, the American Academy and Berlin Fellowship, the Mitchell Foundation Grant, the Louis Comfort Tiffany Foundation Grant, and the Penny McCall Foundation Grant. Mehretu’s work has been exhibited worldwide, including in solo shows at the Guggenheim Museum, New York (accompanied by an exhibition catalogue); Deutsche Guggenheim Museum, Berlin; and Detroit Institute of Arts, Detroit. Her art is also in the permanent collections of the following institutions: The Museum of Modern Art, New York; San Francisco Museum of Modern Art, San Francisco; Whitney Museum of American Art, New York; and the National Gallery of Art, Washington DC, among others.

For further information and for photographs, please contact the gallery at (415) 781-4629 or at info@berggruen.com

John Berggruen Gallery is pleased to present Four Decades: Drawings and Works on Paper, a group exhibition that invites a new perspective on a history of drawing and painting by integrating works from both well known and emerging artists. This exhibition will open on Thursday, May 1st, and will run through Saturday, June 28th. An opening reception will be held on May 1st, from 5:30-7:30 pm.

From Willem de Kooning’s playful oil jitney to Sam Messenger’s meticulously rendered “veils”, Four Decades: Drawings and Works on Paper jumps around the various inspirations of the artists included to present a group of works in a fresh context. This exhibition incorporates the work of monumental and historical artists such as Chuck Close, Willem de Kooning, Mark di Suvero, Roy Lichtenstein, and Robert Longo with dynamic new work from emerging artists such as Diana Al-Hadid and William Cordova, both New York City artists who have received major exhibitions in 2013.

Mid career artists such as Peter Doig, Spencer Finch and Julie Mehretu balance out this topographical collection of works; their inclusion points to the range of various surfaces and textures an artist can explore within the expanse of their career. Mehretu’s careful drawings and di Suvero’s ink tinkerings contrast in each artist’s interpretation of an architectural perspectivism. Roxy Paine’s light hearted drawings work to inspire simplicity of style: his drawing Study for Line, 2014 is a study for his upcoming commission for the new Central Subway Yerba Buena/Moscone Station at 4th and Clementina streets in San Francisco. Ellsworth Kelly’s perennially loved flower drawings round out the show to underscore for the viewer a focus and appreciation for the artist’s touch inherent in a single line. Every work in Four Decades: Drawings and Works on Paper is inflected but not weighed down by each different artist’s past and procedures.

For further information and photographs, please contact the gallery at 415.781.4629 or info@berggruen.com.

John Berggruen Gallery is pleased to present A View From Above, a survey of works by American and International artists whose aesthetic styles and prolific works ask the viewer to slow down and consider their every detail as physical fact, artistic choice and purveyor of meaning. A View From Above will occupy the second floor of gallery space and will include work by artists Vija Celmins, Chuck Close, Mark di Suvero, Olafur Eliasson, Helen Frankenthaler, Tom Friedman, Anish Kapoor, Julian Lethbridge, Julie Mehretu, Martin Puryear, Iran Do Espirito Santo, and Joel Shapiro. The exhibition opens Tuesday, May 17th and continues through Saturday, July 30th.



Vija Celmins received international attention early in her career for her renditions of natural scenes, which often dispel romantic notions of the sublime in nature. Celmins deliberately chooses as her subject a kind of pictorial information that looks familiar but tells us almost nothing about the realities to which it refers. On display, Starfield’s (2010) mere pattern of white dots separated by areas of densely worked graphite fittingly presents the viewer a myriad of options: is it an image the artist invented, was it viewed from a telescope by an astronomer who then photographed it, or was it a record made automatically by the instruments themselves: no one's view.



In similar fashion, questions cannot be detached from one’s experience of Mark di Suvero’s sculptures, which is hardly passive. Di Suvero’s interactive sculptures like Evrard's Marc (2010) which is on display ask you to move different parts, to walk around, and to watch elements turn and tilt. In relationship to the viewer’s movement, the angles constantly change. These mysterious instruments are at once aerodynamic and clunky; whose purpose one can never quite deduce.



Another highlight includes the Danish-Icelandic artist Olafur Ellison’s Super Star (2008). A rainbow star wrapped in brass bands suggests elliptical orbits, recalls holiday decorations, religious symbols, and children's toys. It also resembles a giant jewel, with gorgeously cut facets reflecting every color of the spectrum. But rather than settling on any one of these interpretations, it evokes a more expansive experience. Ingeniously crafted from tinted glass, mirrors, brass, and halogen light fixtures, it casts kaleidoscopic patterns on the domed ceiling and shines soft beams of light on visitors, who then become part of the art.



Two works by the London-based Indian artist Anish Kapoor will also be on display. Double (2004) and Untitled (2007) with blazingly reflective metal surfaces dispense multiple visual thrills and mysteries. They carve, color and complicate space in different ways, creating an interactive experience.



Other highlights include Julie Mehretu’s 15-foot-long abstract etching Auguries (2010), a combination of delicate markings reminiscent of Chinese calligraphy and bolder architectural shapes. The work was also the centerpiece of Notations After the Ring (2010), an exhibition at the Metropolitan Opera’s Gallery Met, which grew out of the visual language she explored in a suite of six paintings that made up the Grey Area (2010) show at the Guggenheim Museum.



Works by Iran Do Espírito Santo, one of Brazil’s key contemporary artists, reveal his interest in industrial and everyday sculptural forms distilled down to their very essence. These sculptures, realized in deceptive “incongruous” materials belying the heavy mediums used to create his “cans” and “ice cream pots” - all strangely crafted in stainless steel and marble. The effect created is one of confronting a form’s pure essence.



Individual “views” of the world are expressed in this show in Helen Frankenthaler’s 1963 saturated painting September Image, Martin Puryear’s sculpture Face Down (2008), and Joel Shapiro’s Untitled (1986) falling figure. In all cases, these works provoke viewer participation, contemplation and individual responses.



For further information and photographs, please contact Tatem Read at 415.781.4629 or tatem@berggruen.com. Gallery hours: Monday - Friday: 9:30-5:30 Saturday: 10:30-5:00



Concurrent Artist Exhibitions:

Vija Celmins: Television and Disaster 1964-1966, LACMA, California through June 5, 2011



Mark di Suvero, curated by Storm King Center, Governors Island, New York through 2011



Olafur Eliasson: Din Blinde Passager (Your Blind Passenger), Arken Museum of Modern Art, Denmark through November 11, 2011



Anish Kapoor: Monumenta 2011, Grand Palais, France through June 20, 2011



Joel Shapiro, Museum Ludwig, Cologne, Germany through May 29, 2011

John Berggruen Gallery is pleased to present an exhibition featuring work by Julie Mehretu, Julian Lethbridge, and Wayne Gonzales on view from February 3 to March 5, 2011. A preview will be held on Thursday, February 3rd from 5:30 to 7:30 pm.



Working from an archive of map clippings, newspapers, and banal outlines to elaborate city plans, and diagrams of war and historical destruction, Julie Mehretu’s paintings and prints attempt to make sense of what happens when these designs interact. Mehretu abstracts these organizational tools while abridging their histories to create new narratives that she describes as “story maps of no location.” With a cacophonous overlay of markings, her work captures and concentrates the dynamism and fluidity of various times and places.



Wayne Gonzales works between representation and abstraction, accumulating images from the internet and recasting them with a painter’s hand. Gonzales’ low-resolution, grey-scale paintings disrupt preconceived notions and permitting the viewer to develop their own interpretation of an image.



Employing luminous oil paints and pigment sticks, Julian Lethbridge builds up the canvas layer upon layer, creating rich, textural, and rhythmic images. Using a grid or other rough template, Lethbridge creates underlying system of stability on which he can make gestural strokes. The sequence of more varied forms demonstrates the artist’s interest in the repetition and inherent beauty of natural phenomena. The result is a meditative observation, both on the modernist grid and the organic interplay of surface, color, and depth.



For further information and photographs, please contact the gallery at 415.781.4629 or info@berggruen.com.